I won’t let it drip exactly, but I will allow it to find its way across the canvas. Sometimes I’ll use heavily pigmented acrylic paints mixed with water so it can be use like watercolour and I let the water take over. I do a lot of experimentation as I paint, but I also have some techniques that I keep going back to: 1. You can see this in my paintings Watching Boardmasters, Fistral Beach shown at the beginning of this article, and Crantock Beach below.Įach time I look at them, I’m transported to summer holidays-that’s the type of “special” feeling I’m going for. It also captures a feeling or memory of being on that beach. It’s hard to explain exactly why a photo might feel that way, but you know it when you see it, and it makes painting the scene much more enjoyable and interesting.įor example, recently I’ve started a new collection of beach paintings which verges on the abstract, but it captures the reality of what you see on a busy summer’s day on the beach. I just like to make full use of my artistic license!Īs a general tip, if you paint from photos, try to choose ones that are truly special-my favorite photos are the ones where something extraordinary jumps out at me, or where there’s something ordinary-but-meaningful, and it tugs on the heart strings. I might try to bring out more intense colours, exaggerate the waves, or change the colours to fit my current colour palette. I use what I see in front of me in order to understand what I’m painting and how the light reflects and refracts through water, but. This allows me to have the best of both worlds when painting. but I do create a lot of paintings around the coast, so I need to be able to paint the wet stuff!Īs I paint, I tend to follow the principle that nothing is completely observed and nothing is completely imagined. I don’t consider myself the strongest painter of water. By Diane Griffiths in Art Tutorials > Painting Tutorials
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